✍️ Writing · Plan → Write → Compare
Should Museums Charge for Entry?
Writing
IELTS-style writing task
Before you submit, check: ✓ I presented both views fairly before giving a clear opinion ✓ I developed each paragraph with an example or explanation, not just a statement ✓ I used cohesive devices and referencing so that the argument flows ✓ I used a wide range of vocabulary and some complex structures (inversion, relative clauses, conditionals) ✓ I wrote an introduction and a conclusion that match my opinion
Museums and galleries hold collections that belong to society. Some people say entry should therefore be free for everybody; others say visitors should pay so that these institutions can fund their work.
Discuss both views and say which you find more convincing. Your essay should be at least 250 words long.
Show sample answer
Model answer: Few cultural debates are as persistent as the question of whether museums should open their doors free of charge. Advocates of free entry regard collections as a public inheritance, whereas opponents point out that excellent exhibitions do not pay for themselves. Although both positions have merit, I believe that a mixed model offers the most realistic solution.
Those who favour free admission argue, first of all, that culture should not be a privilege of those who can afford it. When a family of four must pay a substantial sum simply to enter, many will inevitably stay away, and the very people who might benefit most from such visits, children from less affluent homes, are the most likely to be excluded. Cities that have abolished entrance fees, such as several in the United Kingdom, have recorded sharp increases in visitor numbers, which suggests that price is a genuine barrier.
On the other hand, running a museum is costly. Conservation, climate control, security and the staging of temporary exhibitions require sustained funding, and relying solely on public money leaves institutions vulnerable whenever budgets are cut. Charging a modest fee, supporters claim, gives museums independence and encourages visitors to value what they see. Were the money to disappear, the quality of the displays might well suffer.
In my view, the most sensible approach combines both ideas. Permanent collections could be free, ensuring that no one is shut out, while special exhibitions and guided tours could carry a charge. Such an arrangement would protect access without jeopardising income.
To conclude, free entry is a worthy principle, but it works best when it is supported by a sustainable source of funding.
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